sun valley serenade

Mickey McMickle, Johnny Best, Ray Anthony, Billy May (tp); Glenn Miller, Paul Tanner, Jimmy Priddy, Frank D’Annolfo (tb); Hal McIntyre, Wilbur Schwartz, Ernie Caceres, Tex Beneke, Al Klink (reeds); Chummy MacGregor (p); Jack Lathrop (g); Trigger Alpert (b); Maurice Purtill (d); Ray Eberle, Tex Beneke, Paula Kelly, The Modernaires (vcl); Bill Finegan, Jerry Gray, Billy May, Fred Norman (arr). Featured earlier with Ozzie Nelson, Harry Reser, Charlie Barnet, George Hall and Paul Whiteman, the group had become quite popular and slotted in easily with the Miller band. It features the Glenn Miller Orchestra as well as dancing by the Nicholas Brothers. The apartment features 2 bedrooms, 1 bathroom, a flat-screen TV with satellite channels, a dining area, a fully equipped kitchen, and a balcony with mountain views. He also had dental problems during this period, which is very bad news for a horn man! Having not made any commercial recordings since February, Glenn set about to rectify that by scheduling three RCA sessions in May. RCA Victor Studios, Hollywood, CA – May 7, 1941, 1:00-5:00 PM, 061243-1 Boulder Buff (FN arr) Bluebird 11163-A, 061244-1 The Booglie Wooglie Piggy (TB, PK & M vcl; JG arr) Bluebird 11163-B, 061245-1 Chattanooga Choo Choo (TB, PK & M vcl; JG arr) Bluebird 11230-B, 061246-1 I Know Why (PK & M vcl; BF & JG arr) Bluebird 11230-A. Happily, the soundtrack of the latter number still exists and can be heard here. Titled in honor of Glenn’s upcoming Sun Valley Serenade film, SUN VALLEY JUMP was rerecorded for the soundtrack, but ironically, not to be heard on screen. The songs she sang in those films have probably been the most played of all my original recordings because of the quality which far exceeded those that came from RCA at the time. With Sonja Henie, John Payne, Glenn Miller, Milton Berle. They land a long-term gig with famous singer Lynn Bari (Vivian) in Sun Valley. Since Dandridge and the Brothers have no part in the plot and simply appear and disappear without dialogue or on-screen explanation of any kind, a cut could have been made without notice. They blend beautifully with Ray Eberle on THE ONE I LOVE, sounding as if they had been paired for years. Sonja Henie, John Payne, Glenn Miller, Milton Berle, Lynn Bari, English, Dutch, French, German, Spanish, Danish, Finnish, Norwegian, Swedish, German (Dolby Digital 2.0), English (Dolby Digital 2.0). So how do you lyricize something with the title of ELMER’S TUNE? Veteran director Bruce Humberstone works a comic bit of business with Milton Berle and a cigarette lighter into the number. Now Miller had to earn the money by producing hit records. Without her song, sixth-billed Joan Davis has less than two minutes of comic byplay with Milton Berle remaining in the picture. The powerful sound of the full band is evident from the first note and the microphone setup actually allows us to hear the guitar in the rhythm section, a rare occurrence. For the first time, reedman Ernie Caceres is heard vocally, lending an incongruous touch of Latino spice to the song. Mickey McMickle, Johnny Best, Alec Fila, Billy May (tp); Glenn Miller, Paul Tanner, Jimmy Priddy, Frank D’Annolfo (tb); Hal McIntyre, Wilbur Schwartz, Ernie Caceres, Tex Beneke, Al Klink (reeds); Chummy MacGregor (p); Bobby Hackett (g & cornet); Doc Goldberg (b); Maurice Purtill (d); Ray Eberle, Tex Beneke, Paula Kelly, The Modernaires (vcl); Bill Finegan, Jerry Gray, Billy May (arr). He died in July 1941 at 71, hopefully having heard the Miller 78 that made his old song a hit all over again. As the first Billy May arrangement to be waxed by Glenn, it heralded the fresher, more relaxed direction the band was now taking. Poor management by MCA quickly led to the band’s demise in the summer of 1939. On the other hand, Glenn (and arranger Jerry Gray) do wonders with a truly dopey novelty tune, THE BOOGLIE WOOGLIE PIGGY. Meanwhile, a visual montage shows all the amenities of Sun Valley – skiing, of course, along with horseback riding, heated swimming pools, outdoor dining and cocktail lounges – reality, but in the realm of fantasy for most Depression-era viewers. Sun Valley Serenade Blu-ray Spanish Version, Reviewed in the United Kingdom on 24 May 2017. The song itself would end up in the next Miller film, because Sun Valley Serenade proved to be so popular, that Fox immediately put another Glenn Miller vehicle before the camera, this one entitled Orchestra Wives. Having fallen into the public domain, it was an obvious choice for Glenn to dust off, record and broadcast in 1941, as one of the few familiar song standards that was not an ASCAP tune. John Payne has a feeling that his big song is going to be cut! Originally titled DANZA LUCUMI, Artie Shaw had recorded the number in rumba tempo the preceding year, as a hoped-for follow-up to his massive success with FRENESI. Joan Davis in the cut number, I’M LENA THE BALLERINA. When soloist Vivian Dawn quits, Karen stages an ice show as a … It’s a great arrangement by Jerry Gray and Bill Finegan, done here as a rhythm ballad, vocalized by Lynn Bari and John Payne. It’s mostly a vocal by John Payne, with swirling strings and lush Miller reeds in the introduction. Though it would have fit very naturally with Sonja Henie’s character arc as a Norwegian war refugee, America’s strictly pacifist attitude in 1941 was keenly felt in Hollywood. SWEET AS APPLE CIDER was written in 1903 as a piece of special material by and for blackface minstrel-vaudevillian Eddie Leonard. John Payne, Sonja Henie and Milton Berle star in this lighthearted romantic comedy that features the Glenn Miller Orchestra as a struggling band named the Dartmouth Troubadours. Sun Valley Serenade begins with the familiar 20th Century-Fox logo and fanfare. The title I DREAMT I DWELT IN HARLEM is a cute take-off on I DREAMT THAT I DWELT IN MARBLE HALLS, the ancient operetta aria from The Bohemian Girl, familiar to fans of Laurel and Hardy from its use in their 1936 film version. There was another love triangle in this one. The TUNE originated with the semi-sweet Dick Jurgens band. The overdubbed tap sounds mask a series of hot band solos, by Beneke, Billy May and Ernie Caceres. A welcome addition is a romping Al Klink solo, followed by an additional vocal chorus that ropes in Tex Beneke. A few stills and home movies firmly plant the song’s original placement as part of the “black ice” skating finale, during which the enlarged Miller band with strings is visible in a few cutaway shots. With band manager Milton Berle doing his best to placate a steaming Lynn Bari, the ensemble gets down to business with a full-out performance of CHATTANOOGA CHOO-CHOO. With the band booked at the Sun Valley resort in Idaho, the whole entourage entrains to that pre-war luxury vacation setting, to the tune of IT HAPPENED IN SUN VALLEY. Sometimes a dialogue lead-in or musical underscore remains to show where the song might have appeared, but usually the surgery to remove it is done so well that it is not missed. The hungry fans were ready for them! This is the first of only two Glenn Miller films (the other one being "Orchestra Wives") and as a result probably suffers from the studios reluctance to allow the Miller band to carry the film alone, without the "added attraction" of olympic skater, Sonia Henie. Or does the woman choose him? This film (20th Century Fox; b/w), released in 1941, was the first of two to feature the Glenn Miller Orchestra. Sun Valley Serenade is located in Ketchum. Payne sings for himself, rather reedily and Bari is doubled, as usual, by Pat Friday. Bill Finegan arranged the song for an augmented personnel; it lasts barely two minutes before it ends rather abruptly after the vocal. Miller’s first million-selling recording, his own composition, was “Moonlight Serenade” (1939). Jumping the gun, Ina Ray Hutton’s band recorded AT LAST for Okeh in July, with the label credit, “from Sun Valley Serenade.”. Billy May concludes Tex’s chorus with a rip-roaring solo. Starting Tuesday, the group has been performing nightly, singing holiday favorites and contributing to the overall Christmas ambiance of the resort. Yet the song was issued as the B-side of Bluebird 11230! The Mods back Tex’s tenor solo with vocal “doo-wahs,” which was something of an innovation in 1941. THE KISS POLKA is a rollicking treat, especially since the Miller band doesn’t perform it in the film; the Fox studio band plays it. Enjoying a hard-earned vacation from live appearances in July and August 1941, the Glenn Miller Band held one session for RCA during their time off. Skating star Sonja Henie and the Glenn Miller Orchestra share the spotlight in Sun Valley Serenade. Reviewed in the United Kingdom on 13 March 2015. © 1996-2021, Amazon.com, Inc. or its affiliates. He signed with BMI to assure radio play for these numbers, as well as the new Miller radio theme, SLUMBER SONG, which replaced MOONLIGHT SERENADE for the duration. It also analyses reviews to verify trustworthiness. A new year and several important personnel changes occurred in the Glenn Miller band as soon as the holiday decorations came down. Many compositions by Glenn and his arrangers (as well as their arrangements of public domain melodies) were published by Glenn’s own firm, Mutual Music. Aside from their thrice-weekly Chesterfield radio show, the group had been nearly invisible to the public during that period. Henie gives an engagingly naive performance in a simple story line, with some wonderful skating pyrotechnics thrown in for good measure, while the Miller band sequences are just about as good as it gets. Unable to add item to Wish List. Bill Finegan took a subtler approach in his arrangement, starting with Trigger Alpert’s bass, an eerie vocal “whoo-oo-oo” from the band and creepy, muted wah-wahs by Billy May. The concept of a Gold Record award was conceived by RCA to honor Miller when the CHOO CHOO reached sales of 1,250,000. We immediately note the livelier acoustics of Victor’s Hollywood studio, which has more resonance and brightness than the sound achieved on the band’s New York sessions. Everybody gets their on-screen moment – Glenn, Tex, Al Klink, Billy May and Trigger Alpert & Moe Purtill, both mugging shamelessly. Jimmy Dorsey had recorded a 12-inch swing version for Decca in 1938, but no other jazz folk had touched it. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Working next door to Chicago’s Aragon Ballroom, Albrecht had gotten permission to fool around on their keyboard. Guess what – there’s romance between Payne and Bari. Unpublished and unheralded, it leaves no memories or good feelings behind. SERENADE...IS STILL THE SOMETHING SPECIAL IN MUSICAL JOY! Catch a screening of Sun Valley Serenade (1941) in the iconic Opera House. Sun Valley, Idaho - Wikipedia He played in Glenn Miller 's band from 1940–1941 and appeared in the Glenn Miller movie Sun Valley Serenade before joining the U.S. Navy during World War Two. I finished a two-film Sonie Henie retro by seeing SUN VALLEY SERENADE, a Fox film from 1941 directed by H. Bruce Humberston. This wonderful song would be shelved and saved for the next Miller movie, this time in lush ballad mode. Tommy Dorsey, Frank Sinatra and the Pied Pipers had cut a lazily swinging Sy Oliver arrangement of the song in 1940. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Reviewed in the United Kingdom on 19 October 2009. That was an almost unheard-of figure in March 1942, when the award was presented. Enter Sonja Henie (Karen). This is the definitive performance of CHATTANOOGA CHOO-CHOO, performed in a relaxed groove, including many bits of the Jerry Gray arrangement that would be trimmed for the three-minute Bluebird version. Two novelty songs from Sun Valley Serenade, which was about to open in movie theaters, topped off the playlist. Live versions from the Café Rouge run over five minutes in length and are more effective. Here's the classic Glenn Miller movie, now in hd 5K quality. This lengthy session was concluded with two excellent Jerry Gray swing originals. And she’s not a child. She skates, a quick shot of them skiing and “The End.” As the film runs only 82 minutes, there certainly was time for more music and action; reportedly, studio head Darryl Zanuck was tired of Henie’s demands and wouldn’t allow any more time or budget to be lavished on the film. Please try again. $3.99 Rent HD . The composition, however is a potboiler and not particularly memorable. In the 1990s, 20th Century-Fox produced three hour-long cable TV specials that consisted entirely of cut musical numbers and comedy routines from Fox productions. She was leaving to make way for the return of a Miller favorite, who we’ll welcome back next time! The full band roars to a minor-key conclusion and there you have it – a Number #1 hit record. Making his first records with members of the Eddie Condon mob, he soon jumped from 52nd Street small groups to leading his own brilliant-sounding big band (including future Miller sideman Ernie Caceres). Glenn was a big Hackett fan; aware of his problems, Miller offered the musician a job as guitarist (Hackett’s other favored instrument), replacing Jack Lathrop and Bill Conway (who had been sitting in the guitar chair for several months). There are 0 reviews and 0 ratings from Australia, Your recently viewed items and featured recommendations, Select the department you want to search in. Mickey McMickle, Johnny Best, Ray Anthony, Billy May (tp); Glenn Miller, Paul Tanner, Jimmy Priddy, Frank D’Annolfo (tb); Hal McIntyre, Wilbur Schwartz, Ernie Caceres, Tex Beneke, Al Klink (reeds); Chummy MacGregor (p); Jack Lathrop (g); Trigger Alpert (b); Maurice Purtill (d); Ray Eberle, Tex Beneke, The Four Modernaires (vcl); Bill Finegan, Jerry Gray, Billy May (arr). Music by the Glenn Miller Orchestra, featuring such classic hits ‘Chattanooga Choo Choo’, ‘In … Personel was unchanged from the previous November and this shows in the performance. The next image is the Glenn Miller Band in silhouette, playing a swinging version of “The Kiss Polka” as the credits roll. The RCA LP is missing MOONLIGHT SERENADE, THE WORLD IS WAITING TO WALTZ AGAIN and THE KISS POLKA. After six weeks taking it easy in Hollywood while making their movie, the Glenn Miller band was released by 20th Century-Fox on May 3rd. Promotional flyer for the postwar German release of SUN VALLEY SERENADE. This gorgeous ballad, arranged by Bill Finegan, features close-ups of all the sections, beautifully lit and photographed. Glenn looks dapper and movie-star handsome in the film. Everyone goes to Sun Valley but Payne can only choose one woman. The film’s wrap-up is also remarkably hurried, with no final kiss or declaration of love between Payne and Henie. Never before or since has a big band musical began with such an exciting introduction, which must have lifted audiences out of their seats as they got their first glimpse of the Miller Men. Most fans of the time had heard the band on radio and records, but only a relative handful had seen them in person, especially if they lived west of the Mississippi. The traditional Sun Valley Carolers have been making their rounds throughout the Sun Valley Village this week. Not really a strong section player, Hackett understood that the leader wanted him around mostly as a soloist. It sounds complicated, but it plays as very catchy! Glenn thought otherwise and featured it on radio quite often staring in January 1941, months before committing it to wax. With Payne out of the way, Chummy MacGregor makes his only appearance in a Miller film (he would be replaced at the piano bench by Cesar Romero in ORCHESTRA WIVES). When his girlfriend realises that Karen and Ted are spending an awful lot of time together on the ski slopes at the band's venue, things start to turn very frosty. The song was a bit of a hit for Glenn and also Horace Heidt on Columbia. Sun Valley Serenade is a 1941 musical film directed by H. Bruce Humberstone and starring Sonja Henie, John Payne, Glenn Miller, Milton Berle, and Lynn Bari.