A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. The Science; The blue-green wreath on Apollo’s head (Nr 8) is painted in azurite, yellow lake, lead white and yellow ochre. The frieze-style method of composition could also come from Reni. The original text by Ovid is quoted below. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, en.wikipedia.org/wiki/Apollo_in_the_Forge_of_Vulcan, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/Apollo_in_the_Forge_of_Vulcan. Well, if an other language should appear here, it should be the Velasquez original name in Spanish. Now found in the Museo del Prado in Madrid, the painting represents the moment when Apollo tells Vulcan that Venus, his wife, is having an affair with Mars. Main menu. Wikipedia article References Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. The blue-green colour of the shoelace of Apollo (Nr 1) was achieved by mixing azurite, yellow ochre, calcite, and red lake. painting by Diego de Velázquez (Museum: Museo del Prado). This effect together with the darkening of the brown colours in the background brought about the unintended prominence of the semi-naked figures in the composition (1). Watercolor Foundation: Basic Techniques and Materials. (3) Alfonso E. Pérez Sánchez, Julián Gállego, Velázquez, Metropolitan Museum of Art, 1989, pp. Requested without commission by Aemish Baroque painter Peter Paul Rubens, Apollo in the Forge of Vulcan depicts the moment when the god Apollo tells Vulcan that Venus, his wife, is having an affair with another god. Immediately he began to file thin links of bronze, for a net, a snare that would deceive the eye. Velazquez interpreted the scene into a strictly human version, with contemporary figures. This work was created in Rome without commission at the request of the painter Peter Paul Rubens who had also visited Spain in 1629. The availability and choice of pigments changed around 1600 and thus we perceive a notable difference between the paintings of the Renaissance such as Titian’s ‘Bacchus and Ariadne‘ and the ‘Apollo in the Forge of Vulcan’. The Spanish attitude toward mythological figures and episodes contrasts with the French stance of respectful veneration, as seen in Louis Le Nain’s Venus at the Forge of Vulcan (Musee Saint-Denis, Reims).” (2). The orange-brown robe of Apollo is painted with red lake, lead-tin-yellow, tin oxide, lead white, and calcite. Ovid, Metamorphoses Translated by A. S. Kline © 2004 All Rights Reserved. Mars. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). ‘Love even takes Sol prisoner, who rules all the stars with his light. The moment when Apollo warns Vulcan of Venus’ adultery is the focus of the painting, centered by Apollo’s gaze and Vulcan’s reaction. Velázquez was inspired to create this work by an engraving by Antonio Tempesta, modifying it greatly and centering the narrative action on the arrival of Apollo, using a classical baroque style. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Requested without commission by Flemish Baroque painter Peter Paul Rubens, Apollo in the Forge of Vulcan depicts the moment when the god Apollo tells Vulcan that Venus, his wife, is having an affair with another god, Mars. 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