Collection particulière, États-Unis Description: ¤ At an early age, she was impressed by examples of works by Southwestern and Mexican artists, and she employed these artists' use of warm colors in her own painting. “Margaret Kilgallen’s Belle Lettres.” Ray Gun May 1999: 94–96. Boston: Institute of Contemporary Art. 2, 2000, UCLA Hammer Museum, Los Angeles Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, p 151, color illus. Description: ¤ Margaret Kilgallen was born in 1967 in Washington, DC, and received her BA in printmaking from Colorado College in 1989. Available for sale from Jonathan LeVine Projects, Margaret Kilgallen, Pilar (1999), Etching and aquatint in colors with Chine Collé, 23 × 18 in This toy is an artist's proof aside from an edition of approximately 200. View Margaret Kilgallen’s artworks on artnet. exhibition in Tokyo in conjunction {{watchlist.lookupAttr('runtime', video);}}, {{watchlist.lookupAttr('progress', video)}} /, Barry McGee & Margaret Kilgallen in "Place", Season 1 of "Art in the Twenty-First Century", Weekly Watchlist: Capturing Evidence of the Human Touch. Margaret Kilgallen was an American Postwar & Contemporary painter who was born in 1967. (33.3 x 22.9 cm.) (27.50 x 35.40 cm) View Margaret Kilgallen’s artworks on artnet. In the late artist’s expansive, color-saturated murals, cartoonish women tower alongside lollipop trees and glide through a landscape of skater-surfer lexicon — “Cheater Five,” “Let It Ride” — rendered in carnivalesque typography. Status. Margaret Kilgallen discusses her process, and her personal connections to the heroines featured in her work. Margaret Kilgallen: That's Where the Beauty Is, Jan. 12 - Jun. Description: Untitled (from Neo-Graffiti Project 3D), 2002Painted cast vinyl. Though a contemporary artist, her work showed a strong influence from folk art. Hammer Projects: Margaret Kilgallen - Hammer Museum Margaret Kilgallen’s paintings and murals are celebratory reminders of how people live and move in their day-to-day environments. Collection particulière, États-Unis Margaret Kilgallen is my favorite artist ever. Jan 14, 2021 - Explore Lisa O's board "Painting" on Pinterest. I wasn't a surfer at the time, but I was still so enchanted by her world of women on rockerless longboards, palm trees, beautiful burnt colors applied directly on the walls, huge hand painted script. Her work is perfect in every way, there’s something so appealing about her use of typography, color palette and her real life characters. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. (78 x 19.50 cm) 10 3/4 x 10 1/4 inches (27.3 x 26.03 cm) Acrylic on canvas, 26 ½ x 33 in (67.3 x 83.8 cm). Provenance : Acquis directement auprès de l'artiste Followers 619. 134 color illus. I'm starting this page to share her artwork and other related findings. Tragically passing away from cancer in 2001, her work has since been celebrated at the Whitney Biennial, The Hammer Museum, and the Museum of Contemporary Art in Los Angeles. Margaret Kilgallen, “Money to Loan (Paintings for the San Francisco Bus Shelter Posters)” (2000), mixed media on paper and fabric (image courtesy Tony Prikryl) I got the Margaret Kilgallen book back in. Oct 11, 2012 - Margaret Kilgallen: Summer / Selections - Minimalissimo Acrylic on wood in four parts in Studio Art and Printmaking, Colorado College, 1989. Art Splash: Margaret Kilgallen - Summer / Selections - Ratio 3 - San Francisco. Description: Margaret Kilgallen (New York 1967-2001), print. Description: ¤ In May 2001, Margaret Kilgallen approached the 30-foot interior walls of the Institute of Contemporary Art in Philadelphia with buckets of recycled house paint, and without the aid of guides or stencils trusted her hand and instinct to spell out the phrase “Main Drag” in carnivalesque letters nearly three stories tall. Ed TEMPLETONUntitled (Margaret Kilgallen) - 2002 Mixed media on C-print ; signed and dated on verso; inscribed on recto; 15 x 18.50 in. Margaret Kilgallen, TOP: c. 2000, Acrylic on paper, 5.75 x 8.25 inches. Art Splash: Margaret Kilgallen - Summer / Selections - Ratio 3 - San Francisco. is published on the occasion of Kilgallen's first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Margaret Kilgallen is my favorite artist ever. 7.50 x 5.50 x 3.25 in. Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Provenance: To improve the security of your account, please update your password now. M.F.A. 7.50 x 5.50 x 3.25 in. Using the artist's exhibition history as a chronological tool, that's where the beauty is. the series was published in an ;frame: 27 x 22 in. Publié par The Keith Haring Foundation Apr 4, 2019 - For an art form so daring, defiant, and overwhelmingly public as graffiti, it is too often dismissed, ignored, and (in some cases) made invisible, disappearing into the barrage of visual information around it. 41 1/2 x 39 inches (105.4 x 99 cm) Eungie Joo, Margaret Kilgallen: In the Sweet Bye & Bye is made possible by the generous support of The Judith Rothschild Foundation, The DESTE Foundation for Contemporary Art, The Warhol Foundation for the Visual Arts, and an Anonymous donor. Painter, printmaker, graffiti artist, surfer and banjo player Margaret Kilgallen was noted for her use of randomly-mixed, recycled house paint to create paintings featuring female figures and typography drawn from study of centuries of type fonts in a flat, graphic, folk art style on scrap wood, pages of discarded books, metal pieces and other found objects. Description: Margaret Kilgallen American, 1967-2001 Untitled (Pride), circa 1999 Acrylic on card 18 3/8 x 11 1/2 inches (46.67 x 29.21 cm) Exhibited: To Friend and Foe, Sep. 9 - Oct. 9, 1999, Deitch Projects, New York Hammer Projects: Margaret Kilgallen, Feb. 6 - Apr. Provenance : Collection particulière, États-Unis Filter by auction house, media and more. Bibliographie : Beautiful Losers: Contemporary Art And Street Culture, Iconoclast Editions, 2005, p.270 your own Pins on Pinterest Notable Works. It reminds me of living in SF. Courtesy the Estate of Margaret Kilgallen and Ratio 3, San Francisco. Exhibited: He was married to the artist Margaret Kilgallen, who died of cancer in 2001.They have a daughter named Asha. Discover (and save!) edition of 100. Literature: Untitled (Margaret Kilgallen) - 2002 Technique mixte sur C-print commemorate the Untitled 2001 Margaret KILGALLENSaro – 2001 Serigraph on dip painted skateboard deck; edition of 100; published by The Keith Haring Foundation; printed Keith Haring art and inscription "untitled 2001 ART + STREET TOKYO JAPAN Copyright The Estate of Keith Haring" on verso Encompassing everything from large-than-life paintings to train tags or the scratching of one’s moniker into a… Signed and numbered. Their work was featured in numerous exhibitions at key galleries and museums, including the de Young Museum and the Museum of Contemporary Art, Cleveland.Margaret Kilgallen's work has been offered at auction multiple times, with realized prices ranging from $149 USD to $447,000 USD, … Description: Margaret Kilgallen American, 1967-2001 Estimation 15 000 - 20 000 €Margaret KILGALLEN (Américaine - 1967-2001) (22.5 x 60 cm.) Painted cast vinyl in its original Description: Margaret Kilgallen American, 1967-2001 (19.1 x 14 x 8.3 cm). Nellie Was There, Jan. 8 - Feb. 8, 1997, Gallery 16, San Francisco Apr 4, 2019 - For an art form so daring, defiant, and overwhelmingly public as graffiti, it is too often dismissed, ignored, and (in some cases) made invisible, disappearing into the barrage of visual information around it. Margaret Kilgallen: That's Where the Beauty Is, 2019, p. 62, p. 160 color illus. Kilgallen uses a cartoon-li Surface DesignSurface PatternPattern ArtPattern DesignGraphic PatternsTextile PatternsTextile DesignJoan MitchellRobert Rauschenberg Margaret Kilgallen was born in Washington, ... mural painting, and a variety of formal painting strategies. Look for the plus icon next to videos throughout the site to add them here. Our innovative and timely exhibitions, education and public programs, immersive activities, and community happenings actively engage audiences in thought-provoking experiences of art, culture, and society. Description: Margaret Kilgallen American, 1967-2001 Untitled Acrylic on wood 9 x 9 inches Embracing Folk Art, Southwestern art, freight train graffiti and hobo symbology, Margaret Kilgallen brought an outsider, rural perspective to the very urban world of Street Art. Nov 13, 2013 - This Pin was discovered by victoria l outerbridge. I used watercolor and tempera. Margaret Kilgallen wasn’t afraid to have fun. Last week, The New Yorker published an incredibly powerful story on Margaret, her husband Barry McGee, and musician and artist Clare Rojas. Margaret KILGALLENPilar - 1999 Etching and aquatint in colors with Chine Collé; signed, dated and numbered "17/30" on recto; edition of 30; published by Paulson Press The Margaret Kilgallen show at Ratio 3 in San Francisco brings together over three dozen small works on paper and a handful of larger canvas pieces, all belonging to the late artist’s estate. Married to the artist Barry McGee, the two were constant collaborators who influenced each other's work immensely. Description: Margaret Kilgallen American, 1967-2001 Untitled, circa 1996 Acrylic and ink on panel 8 x 4 1/2 inches (20.32 x 11.43 cm) Exhibited: Nellie Was There, Jan. 8-Feb. 8, 1997, Gallery 16, San Francisco Three Sheets to the Wind, Sep. 13-Nov. 1, 1997, The Drawing Room at the Drawing Center, New York Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. ... San Francisco Museum of Modern Art (SFMOMA), and 1 more. largest element: 8 7/8 x 23 5/8 in. Estimation 15 000 - 20 000 €Margaret KILGALLEN (Américaine - 1967-2001) Margaret Kilgallen’s paintings and murals are celebratory reminders of how people live and move in their day-to-day environments. It’s been fourteen years since the premature passing of San Francisco artist Margaret Kilgallen. Expositions : The Essential Disturbance, Palais de Tokyo, Paris, 2002 Margaret Kilgallen: In The Bye and Bye, Redcat, illus. “Freehand: The Art of Margaret Kilgallen.” Juxtapoz May 1999: 44–47. (68.58 x 55.88cm) Her work is perfect in every way, there’s something so appe… Bio American, 1967–2001. I made it for about 40 minutes. Kilgallen drew upon old typography, hand-lettered signs, and the … 23 x 18 in., frame: 27 x 22 in. Artforum. Provenance: Curator Courtenay Finn reflects on how Margaret Kilgallen’s work prioritized female figures—from her various inspirations to her monikers—on both canvas and urban facades. In May 2001, Margaret Kilgallen approached the 30-foot interior walls of the Institute of Contemporary Art in Philadelphia with buckets of recycled house paint, and without the aid of guides or stencils trusted her hand and instinct to spell out the phrase “Main Drag” in carnivalesque letters nearly three stories tall. Painting directly on the wall, Kilgallen creates room-size murals that recall a time when personal craft and handmade signs were the dominant aesthetic During Margaret Kilgallen’s childhood, frequent family trips to western Maryland taught her great appreciation for Amish craftsmanship in quilting, furniture making, and sign painting-and the philosophy behind it. Inscribed Description: ¤ Your password has not been updated in a while. Provenance : Paulson Press, San Francisco Solo Exhibitions Dans sa boîte d'origine The output of Margaret Kilgallen was so influential, so connected to the American and Western folk art that when we began to see a mini-renaissance of bohemian culture in the US in the late aughts, you could see the majestic and quiet spiritual quality of the late artist’s work in so many other’s studio practice. Description: Margaret Kilgallen American, 1967-2001 Natadora Acrylic on wood 11 1/2 x 8 inches Provenance: The Artist Private collection, acquired from the artist Exhibited: Marin City, CA, Headlands Center for the Arts, 1997 Embracing Folk Art, Southwestern art, freight train graffiti and hobo symbology, Margaret Kilgallen brought an outsider, rural perspective to the very urban world of Street Art. Description: Margaret Kilgallen American, 1967-2001 Untitled (Woman) Acrylic on found paper 10 1/2 x 7 1/4 inches (26.67 x 18.41 cm) Unframed Exhibited: To Friend and Foe, Sep 9-Oct. 9, 1999, Deitch Projects, New York Hammer Projects: Margaret Kilgallen, Feb. 6-Apr. Her paintings of foliage bring to mind the Victorian practice of pressing leaves and flowers in books, using the tome’s pages to draw out moisture and preserve the ethereal specimens, resulting in a discolored footprint that is left on the contiguous pages. McGee graduated from El Camino High School in South San Francisco, California.He later graduated from the San Francisco Art Institute in 1991 with a concentration in painting and printmaking. 2001 ART + STREET TOKYO JAPAN Copyright 23 x 18 in., (58.42 x 45.72cm) frame: 27 x 22 in. 7 1/2 x 5 1/2 x 3 1/4 in. 2, 2000, UCLA Hammer Museum, Los Angeles Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. View artworks for sale by Kilgallen, Margaret Margaret Kilgallen (35, American). Painting directly on the wall, Kilgallen created room-size murals that recall a time when personal craft and handmade signs were the dominant aesthetic. Margaret Kilgallen discusses her influences and the goals she worked towards in her art. Estimation 3 000 - 5 000 €Margaret KILGALLEN (Américaine -1967-2001) Beautiful Losers, 2004-2009 (traveling) Untitled by Margaret Kilgallen. Browse upcoming auctions and create alerts for artworks you are interested in. Description: Margaret Kilgallen American, 1967-2001 Untitled Acrylic on panel 6 x 8 3/8 inches (6.24 x 21.27 cm) Exhibited: Nellie Was There, Jan. 8-Feb. 8, 1997, Gallery 16, San Francisco Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, p. 134, color illus. Saro – 2001 Sérigraphie sur skateboard Haring art and inscription "untitled Tokion Neo Graffiti Project 3D – 1999 Vinyle peint (neuf) At an early age, she was impressed by examples of works by Southwest and Mexican artists, and she employed these artists' use of warm colors in her own painting. 15 x 18.50 in. skateboards was published to Haring «sans titre 2001 ART + STREET Etching and aquatint in colors with Chine Collé; signed, dated and numbered "17/30" on recto; edition of 30; published by Paulson Press Find great deals on eBay for margaret kilgallen and barry mcgee. This series of 12 artist designed Gift of the artist to the current owner Married to the artist … Signed and numbered. The first thing I remember about meeting Margaret Kilgallen and Barry McGee was that they shared the same wardrobe – knitted thrift store pullovers, pegged trousers and paint-splattered Adidas. Kilgallen's paintings and murals reflect a variety of influences, including hand-painted signs, elements of American folk art, mural painting, and a variety of formal painting strategies. Margaret Kilgallen: In the Sweet Bye & Bye is made possible by the generous support of The Judith Rothschild Foundation, The DESTE Foundation for Contemporary Art, The Warhol Foundation for the Visual Arts, and an Anonymous donor. Feb 6, 2013 - Mike LinPart of the exhibition of Margaret’s work at the Redcat Gallery in LA. Margaret Kilgallen. Courtesy the Estate of Margaret Kilgallen and Ratio 3, San Francisco Description: Margaret Kilgallen American, 1967-2001 Pilar - 1999 Eau-forte et aquatinte en couleurs avec Chine Collé 2000. Courtesy the Estate of Margaret Kilgallen and Ratio 3, San Francisco. Sight 16 3/4" x 12". Save videos to watch later, or make a selection to play back-to-back using the autoplay feature. Margaret Kilgallen, Untitled (around 2000). © 1986-2021 Invaluable, LLC. Your email address or password is incorrect. See more ideas about painting, art, margaret kilgallen. Cadre: 68,58 x 55,88 cm Sight 16 3/4" x 12". Ethnographic & Indigenous Artifacts (2012), Greek, Roman & Egyptian Antiquities (290), Historical, Political & Space Collectibles (769), Natural History Collectibles, Fossils & Minerals (5768), Sporting, Fishing & Hunting Collectibles (1781), Indian & South Asian Art & Antiques (476). Signé et daté au dos Provenance : Paulson Press, San Francisco Provenance : Publié à l'occasion de l'exposition Untitled 2001, Tokyo, Japon, 2001, The Keith Haring Foundation Literature: Untitled (Blinded Fate), 1998 Beautiful Losers : Contemporary Art and Street Culture, Édition Iconoclast, 2005, reproduit, p.264 Description: Margaret Kilgallen (1967–2001) Untitled (Salt, Sweet, CH, Wheet) painted metal, in eleven parts smallest element: 13 1/8 x 9 in. "Margaret Kilgallen was a remarkably gifted and courageous young woman. box (new in box); edition of 500; Works for sale (4) Auction results. Shop with confidence. A weekly digest of things to watch, read, and hear from the comforts of your home, selected by Art21-featured artists and Art21 staff. Eungie Joo, “Galleries: Paintings and Works on Paper.” New York Magazine 13 Sep. 1999: 110. Kilgallen’s work was presented at UCLA Hammer Museum. Oct 10, 2012 - This Pin was discovered by Vanessa Correa. That’s probably my biggest influence, you know, those things. Available for sale from New Image Art , Margaret Kilgallen, Spector (1999), Acrylic on metal, 11 × 14 × 1/2 in Margaret Kilgallen and her art in the warehouse studio she shared with Barry McGee in the Mission District of San Francisco. Édition à 100 exemplaires Collection particulière, États-Unis I first saw Margaret Kilgallen's work at a show she had with her husband, Barry McGee, at UCLA's Hammer Museum in 2000. Paulson Press print information enclosed. Pilar - 1999 Eau-forte et aquatinte en couleurs avec Chine Collé Margaret Kilgallen — Art21 January 2021 Art21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. Education. 16 - Aug. 21, 2005 2000. 547 likes. March 8, 2013. deck; edition of 100; published by The Kilgallen had a love of “things that show the evidence of the human hand.”. The Estate of Keith Haring" on verso; 23 x 18 in., (58.42 x 45.72cm) frame: 27 x 22 in. Estimation 1 000 - 1 500 €Margaret KILGALLEN (Américaine - Née en 1967) Her work has been shown at Deitch Projects and the Drawing Room in New York, Yerba Buena Center for the Arts and the Luggage Store in San Francisco, Forum for Contemporary Art in St. Louis, and the Institute of Contemporary Art in Boston. 2, 2000, UCLA Hammer Museum, Los Angeles Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. Aspen, CO, Aspen Art Museum, New York, Clementine Gallery, And also the painting that you see on the storefronts, handmade signs, tend to be very flat. 30 x 7.75 in. Acrylic on panel Description: Margaret Kilgallen American, 1967-2001 Untitled (FIE) Acrylic on wood 6 x 7 inches (15.24 x 17.78 cm) Exhibited: San Francisco, Gallery 16, Nellie Was There, Jan. 8 - Feb. 8, 1997 Literature: Eungie Joo, Margaret Kilgallen: In The Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. She died in June 2001 in San Francisco, where she lived with her husband, Barry McGee. Strong, independent women—walking, surfing, fighting, and biking—are featured prominently in the artist’s compositions. Emerging Representation. Her many works in gouache, acrylic, and randomly-mixed and recycled house paints on found paper (often discarded book endpapers), reflect an interest in typographic Margaret Kilgallen: In The Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. I was surprised that there's no fan page for Margaret Kilgallen's work. All Rights Reserved. published by Tokion; Aug 11, 2015 - Woman Crush Wednesday: Margaret Kilgallen | katie loves you. 13 x 5 inches (33.02 x 12.7 cm) Acrylic on wood panel, 17 ½ x 12 in (44.5 x 30.5 cm). Stanford University, 2001 B.F.A. Purchased from the above by the current owner Toy includes all original packaging. Mixed media on C-print ; signed and dated on verso; inscribed on recto Margaret Kilgallen, Untitled, c. 2000, Acrylic on canvas, 27 x 25 inches.Courtesy Ratio 3, San Francisco. Etching and aquatint in colors with Chine Collé ; signed, dated and numbered on recto; edition of 30 ; 23 × 18 in. Luggage Store Gallery, San Francisco Signée, datée et numérotée «17/30» Married to the artist Barry McGee, the two were constant collaborators who influenced each other's work immensely. Her work has been shown at Deitch Projects and the Drawing … Saved from katielovesyou.com. May Brussel/Housewife - Researcher on the reverse Cadre: 68,58 x 55,88 cm She is known primarily for her association with the Bay Area Mission School—a loosely associated group of artists from the early 1990s—and for her inclusion in the exhibition Beautiful Losers: Contemporary Art and Street Culture (2004–6). Redcat Gallery in LA 5/8 in Lisa O 's board `` painting '' on.. Non-Profit organization ; all donations are tax deductible to the artist and find an in-depth biography, exhibitions, artworks... Untitled ( from Neo-Graffiti Project 3D ), and a testament to the fact that the legacy Margaret... Improve the security of your account, please update your password has not updated... An in-depth biography, exhibitions, original artworks, the two were constant collaborators who influenced each other 's immensely... On Paper. ” New York Magazine 13 Sep. 1999: 110 44.5 x 30.5 cm ) of things... Was born in 1967 Aspen art Museum is a 501 ( c ) 3 non-profit organization all! 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